{"id":3745,"date":"2019-07-03T19:39:24","date_gmt":"2019-07-03T19:39:24","guid":{"rendered":"http:\/\/sapavilion.partsandlabour.co.za\/?page_id=3745"},"modified":"2019-07-09T19:09:29","modified_gmt":"2019-07-09T19:09:29","slug":"gallery-2","status":"publish","type":"page","link":"https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/","title":{"rendered":"Exhibition images"},"content":{"rendered":"<p style=\"text-align: center;\">Photos by Mario Todeschini<\/p>\n<div id='gallery-1' class='gallery galleryid-3745 gallery-columns-1 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9555\/'><img loading=\"lazy\" decoding=\"async\" width=\"799\" height=\"1198\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9555.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3774\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9555.jpg 799w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9555-200x300.jpg 200w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9555-750x1125.jpg 750w\" sizes=\"auto, (max-width: 799px) 100vw, 799px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3774'>\n\t\t\t\tWim Botha: Study for the Epic Mundane (2013); Books (encyclopaedia, bibles, dictionaries, historical documents, etc.), wood and stainless steel; Central group: 155 x 188 x 183cm; Installation dimensions variable; Courtesy of the Artist and Stevenson, Cape Town and Johannesburg\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9562\/'><img loading=\"lazy\" decoding=\"async\" width=\"773\" height=\"1159\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9562.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3775\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9562.jpg 773w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9562-200x300.jpg 200w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9562-750x1125.jpg 750w\" sizes=\"auto, (max-width: 773px) 100vw, 773px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3775'>\n\t\t\t\tWim Botha: Generic Self-Portrait as an Exile (2008); Learners\u2019 dictionaries (Afrikaans, English, isiZulu, Sesotho) and stainless steel; 46 x 32 x 27cm; Courtesy of Michael Roets\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9563\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9563.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3777\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9563.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9563-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9563-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3777'>\n\t\t\t\tLEFT  David Koloane: The Journey (1998); Series of 19 acrylic and oil pastel works on paper; Each 29 x 42cm; Courtesy of the Artist and Goodman Gallery, Johannesburg  RIGHT  Philip Miller, Gerhard Marx and Maja Marx: Rewind (2007\u20132013); Audio-visual installation with monitors and headsets; Dimensions variable; Courtesy of the Artists and Goodman Gallery, Johannesburg\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9704\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9704.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3778\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9704.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9704-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9704-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3778'>\n\t\t\t\tGrand entrance to the South African Pavilion at the Sale d\u2019armi in the Arsenale\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9706\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9706.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3779\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9706.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9706-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9706-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3779'>\n\t\t\t\tGrand entrance to the South African Pavilion at the Sale d\u2019armi in the Arsenale\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9709\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9709.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3780\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9709.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9709-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9709-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3780'>\n\t\t\t\tZanele Muholi: Faces and Phases (2006 to date); Series of 200 photographic prints on paper; Each 25.5 x 38.5cm (image size); Courtesy of the Artist and Stevenson Gallery, Johannesburg and Cape Town\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9715\/'><img loading=\"lazy\" decoding=\"async\" width=\"1186\" height=\"791\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9715.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3781\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9715.jpg 1186w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9715-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9715-750x500.jpg 750w\" sizes=\"auto, (max-width: 1186px) 100vw, 1186px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3781'>\n\t\t\t\tJoanne Bloch: Hoard (2012\/13); Modelling clay, gold spray-paint, silk velvet and touch-screen panels; Installation dimensions 50 x 500cm; Courtesy of the Artist\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9718\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9718.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3782\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9718.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9718-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9718-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3782'>\n\t\t\t\tDavid Koloane: The Journey (1998); Series of 19 acrylic and oil pastel works on paper; Each 29 x 42cm; Courtesy of the Artist and Goodman Gallery, Johannesburg\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9719\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9719.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3783\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9719.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9719-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9719-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3783'>\n\t\t\t\tLEFT  Andrew Putter: Native Work (2012): Installation comprising 15 selenium-toned silver gelatin lightjet prints on fibre-based paper, 50 x 35cm each, and 17 digital colour images on screen, looped; Installation dimensions variable; Courtesy of the Artist and Stevenson, Cape Town and Johannesburg RIGHT LEFT  Cameron Platter: The Good Shepard Presents Dr Bombaka (2009); Pencil crayon on paper; 240 x 240cm; Courtesy of the Artist and Galerie Ernst Hilger, Vienna\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9726_1\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9726_1.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3786\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9726_1.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9726_1-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9726_1-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3786'>\n\t\t\t\tPhilip Miller, Gerhard Marx and Maja Marx: Rewind (2007\u20132013); Audio-visual installation with monitors and headsets; Dimensions variable; Courtesy of the Artists and Goodman Gallery, Johannesburg\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9727\/'><img loading=\"lazy\" decoding=\"async\" width=\"1192\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9727.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3787\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9727.jpg 1192w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9727-300x201.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9727-750x503.jpg 750w\" sizes=\"auto, (max-width: 1192px) 100vw, 1192px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3787'>\n\t\t\t\tLEFT  Sue Williamson: For thirty years next to his heart (1990); 49 colour laser prints in handcrafted frames; Installation dimensions 196 x 262cm; Courtesy of the Artist and Goodman Gallery, Johannesburg RIGHT Joanne Bloch: Hoard (2012\/13); Modelling clay, gold spray-paint, silk velvet and touch-screen panels; Installation dimensions 50 x 500cm; Courtesy of the Artist\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9731\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9731.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3788\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9731.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9731-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9731-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3788'>\n\t\t\t\tLEFT  Cameron Platter: The Good Shepard Presents Dr Bombaka (2009); Pencil crayon on paper; 240 x 240cm; Courtesy of the Artist and Galerie Ernst Hilger, Vienna  RIGHT  Sue Williamson: For thirty years next to his heart (1990); 49 colour laser prints in handcrafted frames; Installation dimensions 196 x 262cm; Courtesy of the Artist and Goodman Gallery, Johannesburg\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9733\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9733.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3789\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9733.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9733-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9733-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3789'>\n\t\t\t\tJoanne Bloch: Hoard (2012\/13); Modelling clay, gold spray-paint, silk velvet and touch-screen panels; Installation dimensions 50 x 500cm; Courtesy of the Artist\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9735\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9735.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3790\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9735.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9735-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9735-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3790'>\n\t\t\t\tPenny Siopis: Obscure White Messenger 2010 Single-channel digital video, sound Duration 15min, 4sec Courtesy of the Artist and Stevenson, Cape Town and Johannesburg\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9740\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9740.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3791\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9740.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9740-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9740-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3791'>\n\t\t\t\tLEFT Wim Botha: Study for the Epic Mundane (2013); Books (encyclopaedia, bibles, dictionaries, historical documents, etc.), wood and stainless steel; Central group: 155 x 188 x 183cm; Installation dimensions variable; Courtesy of the Artist and Stevenson, Cape Town and Johannesburg RIGHT Wim Botha, Untitled, 2011 World Books, SA Yearbooks (1983-1991), wood and stainless steel, 98 x 150 x 85cm (excluding pedestal) Courtesy of Hans Porer\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9741\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9741.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3792\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9741.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9741-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9741-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3792'>\n\t\t\t\tLEFT Zanele Muholi: Faces and Phases (2006 to date); Series of 200 photographic prints on paper; Each 25.5 x 38.5cm (image size); Courtesy of the Artist and Stevenson Gallery, Johannesburg and Cape Town CENTRE and RIGHT Wim Botha\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9748\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9748.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3796\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9748.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9748-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9748-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3796'>\n\t\t\t\tLEFT  David Koloane: The Journey (1998); Series of 19 acrylic and oil pastel works on paper; Each 29 x 42cm; Courtesy of the Artist and Goodman Gallery, Johannesburg  RIGHT  Philip Miller, Gerhard Marx and Maja Marx: Rewind (2007\u20132013); Audio-visual installation with monitors and headsets; Dimensions variable; Courtesy of the Artists and Goodman Gallery, Johannesburg\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9751\/'><img loading=\"lazy\" decoding=\"async\" width=\"799\" height=\"1198\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9751.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3797\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9751.jpg 799w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9751-200x300.jpg 200w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9751-750x1125.jpg 750w\" sizes=\"auto, (max-width: 799px) 100vw, 799px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3797'>\n\t\t\t\tWim Botha: Untitled, 2011 World Books, SA Yearbooks (1983-1991), wood and stainless steel, 98 x 150 x 85cm (excluding pedestal) Courtesy of Hans Porer\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9755\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9755.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3800\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9755.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9755-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9755-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3800'>\n\t\t\t\tWim Botha: Study for the Epic Mundane (2013); Books (encyclopaedia, bibles, dictionaries, historical documents, etc.), wood and stainless steel; Central group: 155 x 188 x 183cm; Installation dimensions variable; Courtesy of the Artist and Stevenson, Cape Town and Johannesburg\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9760\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9760.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3803\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9760.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9760-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9760-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3803'>\n\t\t\t\tSam Nhlengethwa: Glimpses of the Fifties and Sixties (2002\/3); Series of 30 collage and mixed media works on paper; 36 x 47cm (framed dimensions); Courtesy of Stefan Ferreira\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9761\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9761.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3804\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9761.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9761-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9761-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3804'>\n\t\t\t\tLEFT  Johannes Phokela: Collar Series (2006); Oil sketch on paper; each 77 x 59cm (frame size); Courtesy of the Artist  RIGHT  Wim Botha: Generic Self-Portrait as an Exile (2008); Learners\u2019 dictionaries (Afrikaans, English, isiZulu, Sesotho) and stainless steel; 46 x 32 x 27cm; Courtesy of Michael Roets;\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9762\/'><img loading=\"lazy\" decoding=\"async\" width=\"1181\" height=\"787\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9762.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3805\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9762.jpg 1181w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9762-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9762-750x500.jpg 750w\" sizes=\"auto, (max-width: 1181px) 100vw, 1181px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3805'>\n\t\t\t\tJohannes Phokela: Collar Series (2006); Oil sketch on paper; each 77 x 59cm (frame size); Courtesy of the Artist\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9792\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9792.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3808\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9792.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9792-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9792-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3808'>\n\t\t\t\tWim Botha: Untitled, 2011 World Books, SA Yearbooks (1983-1991), wood and stainless steel, 98 x 150 x 85cm (excluding pedestal) Courtesy of Hans Porer\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9794\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9794.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3809\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9794.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9794-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9794-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3809'>\n\t\t\t\tWim Botha: Untitled (Witness series I), 2011 African encyclopaedia, wood and stainless steel, 45 x 21 x 22cm Courtesy of gordonschachatcollection\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9797\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9797.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3810\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9797.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9797-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9797-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3810'>\n\t\t\t\tWim Botha: Portrait I, 2009 Crossword dictionaries, wood and stainless steel, 48 x 18 x 24.5cm Courtesy of Vincenzo Penta\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9800\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9800.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3811\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9800.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9800-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9800-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3811'>\n\t\t\t\tRIGHT Zanele Muholi: Faces and Phases (2006 to date); Series of 200 photographic prints on paper; Each 25.5 x 38.5cm (image size); Courtesy of the Artist and Stevenson Gallery, Johannesburg and Cape Town\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9806\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9806.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3812\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9806.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9806-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9806-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3812'>\n\t\t\t\tWim Botha: Composite Self-Portrait II, 2010 Dictionaries, ink and wood, 58.5 x 26 x 23cm Courtesy of Xavier Huyberechts and Briget Grosskop\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9811\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9811.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3813\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9811.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9811-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9811-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3813'>\n\t\t\t\tWim Botha: Portrait III, 2009 Bibles, wood and stainless steel, 32 x 15 x 28cm Courtesy of Konrad Huettner\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9815\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9815.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3814\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9815.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9815-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9815-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3814'>\n\t\t\t\tWim Botha: Study for the Epic Mundane (2013); Books (encyclopaedia, bibles, dictionaries, historical documents, etc.), wood and stainless steel; Central group: 155 x 188 x 183cm; Installation dimensions variable; Courtesy of the Artist and Stevenson, Cape Town and Johannesburg\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9823\/'><img loading=\"lazy\" decoding=\"async\" width=\"1198\" height=\"799\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9823.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3817\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9823.jpg 1198w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9823-300x200.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9823-750x500.jpg 750w\" sizes=\"auto, (max-width: 1198px) 100vw, 1198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3817'>\n\t\t\t\tLEFT Wim Botha: Study for the Epic Mundane (2013); Books (encyclopaedia, bibles, dictionaries, historical documents, etc.), wood and stainless steel; Central group: 155 x 188 x 183cm; Installation dimensions variable; Courtesy of the Artist and Stevenson, Cape Town and Johannesburg RIGHT Wim Botha, Untitled, 2011 World Books, SA Yearbooks (1983-1991), wood and stainless steel, 98 x 150 x 85cm (excluding pedestal) Courtesy of Hans Porer\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sapavilion.partsandlabour.co.za\/index.php\/gallery-2\/055k9577\/'><img loading=\"lazy\" decoding=\"async\" width=\"1177\" height=\"771\" src=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9577.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-3873\" srcset=\"https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9577.jpg 1177w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9577-300x197.jpg 300w, https:\/\/sapavilion.partsandlabour.co.za\/wp-content\/uploads\/2019\/07\/055K9577-750x491.jpg 750w\" sizes=\"auto, (max-width: 1177px) 100vw, 1177px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3873'>\n\t\t\t\tLEFT  David Koloane: The Journey (1998); Series of 19 acrylic and oil pastel works on paper; Each 29 x 42cm; Courtesy of the Artist and Goodman Gallery, Johannesburg  RIGHT  Andrew Putter: Native Work (2012): Installation comprising 15 selenium-toned silver gelatin lightjet prints on fibre-based paper, 50 x 35cm each, and 17 digital colour images on screen, looped; Installation dimensions variable; Courtesy of the Artist and Stevenson, Cape Town and Johannesburg\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Photos by Mario Todeschini<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3745","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sapavilion.partsandlabour.co.za\/index.php\/wp-json\/wp\/v2\/pages\/3745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sapavilion.partsandlabour.co.za\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sapavilion.partsandlabour.co.za\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sapavilion.partsandlabour.co.za\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sapavilion.partsandlabour.co.za\/index.php\/wp-json\/wp\/v2\/comments?post=3745"}],"version-history":[{"count":10,"href":"https:\/\/sapavilion.partsandlabour.co.za\/index.php\/wp-json\/wp\/v2\/pages\/3745\/revisions"}],"predecessor-version":[{"id":3876,"href":"https:\/\/sapavilion.partsandlabour.co.za\/index.php\/wp-json\/wp\/v2\/pages\/3745\/revisions\/3876"}],"wp:attachment":[{"href":"https:\/\/sapavilion.partsandlabour.co.za\/index.php\/wp-json\/wp\/v2\/media?parent=3745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}