![\"PRESS-R-IMAGE\"](\"\/wp-content\/uploads\/2016\/10\/PRESS-R-IMAGE.png\")
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Download the Press Release.<\/span><\/a><\/strong><\/p>\n [one_half padding=”0px 00px 0px 00px”] [one_half_last padding=”0px 00px 0px 20px”] [full_width padding=”30px 00px 0 00px”]<\/p>\n \u201cThe team\u00a0we have assembled brings together Connect as an experienced local\u00a0production company, accomplished curators and a proven project management company with first-hand experience of the Biennale. Our collective goal is to spearhead a new approach to The South African Pavilion in 2017 by presenting the work of two leading, South African artists and to leverage social and popular media to enhance local, public engagement with The South African Pavilion. We would like to thank the Department of Arts and Culture for the confidence they have shown in Connect.\u201d\u2013 Connect CEO, Basetsana Kumalo[\/full_width]<\/span><\/p>\n [one_half padding=”30px 00px 0px 00px”] [one_half_last padding=”30px 00px 0px 20px”]Mohau Modisakeng<\/span> is based in South Africa. His award winning and internationally exhibited photography, film, performance and installation work forms a personal and idiosyncratic exploration of a local narrative. Informed by a coming of age during our country\u2019s violent political transition, his practice grapples with black male identity, body and place within a post-apartheid context. Modisakeng presents critical responses to ideas of nationhood, leadership, inequality and migrant labour that manifest visually as poignant moments of grieving and catharsis central to the current lived experience of contemporary South Africans.<\/span><\/p>\n Candice Breitz<\/span> is an internationally acclaimed artist best known for her moving image installations. Throughout her career, she has explored the dynamics by means of which an individual becomes him or herself in relation to a larger community, be that community the immediate community that one encounters in family, or the real and imagined communities that are shaped not only by questions of national belonging, race, gender and religion, but also by the increasingly undeniable influence of mainstream media such as television, cinema and popular culture. Most recently, Breitz\u2019s work has focused on the conditions under which empathy is produced, reflecting on a media-saturated global culture in which strong identification with fictional characters and celebrity figures runs parallel to widespread indifference to the plight of those facing real world adversities.[\/one_half_last]<\/span><\/p>\n [one_fourth padding=”30px 10px 0 00px”]About the artists[\/one_fourth]<\/p>\n [one_fourth padding=”30px 10px 0 00px”]Candice Breitz<\/span> was born in Johannesburg in 1972. She is currently based in Berlin. Breitz holds degrees from the University of the Witwatersrand, the University of Chicago and Columbia University. She has been a tenured professor at the Hochschule f\u00fcr Bildende K\u00fcnste in Braunschweig since 2007. Breitz has participated in biennales in Johannesburg (1997), S\u00e3o Paulo (1998), Istanbul (1999), Taipei (2000), Kwangju (2000), Tirana (2001), Venice (2005), New Orleans (2008), Singapore (2011) and Dakar (2014). Solo exhibitions of her work have been hosted by the Kunstmuseum Stuttgart, Louisiana Museum of Modern Art (Humleb\u00e6k), San Francisco Museum of Modern Art, the National Gallery of Canada (Ottawa), Kunsthaus Bregenz (Austria), The Power Plant (Toronto), Baltic Centre for Contemporary Art (Newcastle), Palais de Tokyo (Paris), Modern Art Oxford, City Gallery Wellington (New Zealand), De Appel (Amsterdam), Mus\u00e9e d\u2019Art Moderne Grand-Duc Jean (Luxembourg), Moderna Museet (Stockholm), Castello di Rivoli (Turin), Bawag Foundation (Vienna), Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n (Spain), Tempor\u00e4re Kunsthalle Berlin, the Australian Centre for the Moving Image (Melbourne), Standard Bank Gallery (Johannesburg) and the South African National Gallery (Cape Town). Her work has been featured at the Sundance Film Festival (2009) and the Toronto International Film Festival (2013).[\/one_fourth]<\/span><\/p>\n [one_fourth padding=”30px 10px 0 20px”]Mohau Modisakeng<\/span> was born in Johannesburg in 1986 and grew up in Soweto. He currently lives and works between Johannesburg and Cape Town. Modisakeng completed his undergraduate degree at the Michaelis School of Fine Art, Cape Town in 2009. His work has been exhibited at the 56th Venice Biennale (2015), MOCADA, Brooklyn New York (2015), Kunstraum Innsbruck, Austria (2015), the Museum of Fine Art, Boston (2014), 21C Museum, Kentucky, Massachusetts (2014), IZIKO South African National Gallery, Cape Town (2014), Saatchi Gallery, London (2012) and the Dak\u2019Art Biennale, Dakar (2012). His work has been placed in numerous private collections both locally and internationally. His work is held by the following public collections: Johannesburg Art Gallery, IZIKO South African National Gallery, Saatchi Gallery and Zeitz MOCAA.<\/span>[\/one_fourth]<\/span><\/span><\/p>\n [one_fourth_last padding=”30px 00px 0 40px”] <\/p>\n [one_third padding=”30px 40px 0px 00px”]About the South African Department of Arts and Culture<\/span><\/p>\n The South African Department of Arts and Culture\u2019s vision is to create a dynamic, vibrant and transformed Arts, Culture and Heritage sector, leading nation building through social cohesion and socio-economic inclusion. The South African Pavilion at La Biennale di Venezia\u00a0is of strategic importance in establishing this goal locally within the sector and promoting South African Arts, Culture and Heritage on an international level.<\/p>\n <\/p>\n About Connect Channel<\/p>\n Connect Channel is a digital content and television production company managed by Basetsana Kumalo, one of South Africa\u2019s most recognised personal brands and production veteran of over 20 years. Over the last three years the company has acquired a great deal of experience in producing television shows of cultural relevance to South African audiences. These shows have developed a loyal and dedicated viewership. Connect\u2019s objective is to leverage off its production resources and know-how to engage with broader creative fields.[\/one_third]<\/p>\n [one_third padding=”30px 20px 0 20px”]About the curators<\/span><\/p>\n Lucy MacGarry served as Curator of the FNB Joburg Art Fair from 2014\u20132016. In 2015, she spearheaded the first dedicated programme of experimental film and live performance at the Fair. In 2016, MacGarry initiated and curated an inaugural East Africa Focus. The focus spotlighted artistic practice from Burundi, Kenya, Rwanda, Tanzania and Uganda to Ethiopia, Somalia and Sudan. From 2009\u20132014 she was Art Director of Yellowwoods Art overseeing the corporate art collections of Spier Wine Estate, Hollard Insurance and Nando\u2019s\u00a0Global. Musha Neluheni is currently Acting Chief Curator at the Johannesburg Art Gallery (JAG) and Curator for Contemporary Collections. Neluheni originates and oversees contemporary exhibitions at JAG as well as external exhibitions. She serves on the Standard Bank Visual Arts Committee and the University of Johannesburg Art Advisory Board. She worked as the assistant curator for the Sasol Art Collection from 2006\u20132009 and was awarded Young Curator of the Year for the 2008 Aardklop Arts Festival. She was the Educations Officer at the Johannesburg Art Gallery from 2010\u20132013. [\/one_third]<\/p>\n [one_third_last padding=”30px 40px 0 20px”]About Beathur Mgoza Baker<\/span><\/p>\n Beathur Mgoza Baker is a seasoned South African content specialist, writer and art curator with a background in film, broadcast media and content design across Africa.<\/p>\n About Parts & Labour<\/span><\/p>\n Parts & Labour is a multidisciplinary project management studio. They advise on large-scale sculptural projects, public art commissions, museum and art installations and specialist exhibitions to assist clients, artists, architects and designers in the development and realisation of their concepts. The projects Parts & Labour embarks on are by and large, out of the ordinary and defined by new techniques and structural experimentation such as \u2018Release\u2019 at the Nelson Mandela Capture Site. Parts & Labour managed the South African Pavilion at the 2015 Venice Biennale. [\/one_third_last]<\/p>\n [full_width padding=”30px 00px 0 00px”]About La Biennale di Venezia<\/span><\/p>\n La Biennale di Venezia\u00a0dates back to 1895, when the first International Art Exhibition was organised. It is one of the pre-eminent international bienniales and cultural institutions in the world, introducing hundreds of thousands of visitors to exciting new art every two years. The 57th International Art Exhibition of La Biennale di Venezia (13 May \u2013 26 November 2017) is directed by Christine Macel, Chief Curator at the Mus\u00e9e national d\u2019art moderne \u2013 Centre Pompidou in Paris.[\/full_width]<\/p>\n [full_width padding=”30px 00px 0 00px”]<\/p>\n <\/p>\n Web – \u00a0www.thesouthafricanpavilion.co.za<\/a><\/span><\/p>\n Email – \u00a0media@thesouthafricanpavilion.co.za<\/a><\/span><\/p>\n Twitter – \u00a0@sa_pavilion<\/a><\/span><\/p>\n Instagram –\u00a0@sa_pavilion<\/a><\/span><\/p>\n Facebook –\u00a0The South African Pavilion<\/a><\/span><\/p>\n Hashtag – #SAVenice2017[\/full_width]<\/p>\n
\nThe South African Department of Arts and Culture has appointed Connect Channel to organise The South African Pavilion at La Biennale di Venezia in 2017. It is a pleasure to announce that Candice Breitz and Mohau Modisakeng will represent South Africa at the world\u2019s most prestigious contemporary art event. Breitz and Modisakeng will present a major, two-person exhibition in The South African Pavilion, running from 13\u00a0May to 26 November 2017 in Venice, Italy.<\/span><\/p>\n
\nThis exhibition will be the first La Biennale di Venezia\u00a0project presented by Connect Channel.[\/one_half]<\/span><\/p>\n
\nChristine Macel, Artistic Director of the 57th International Art Exhibition, has outlined a curatorial framework emphasising the important role artists play in inventing their own universes and injecting generous vitality into the world we live in. In response to the Exhibition’s\u00a0theme, The South African Pavilion’s exhibition will invite viewers to explore the artist\u2019s role in visualising and articulating the notion of selfhood within a context of global marginalisation. What is it to be visible in everyday life, yet invisible and disregarded at the level of cultural, political or economic representation? Placing new works by Breitz and Modisakeng in dialogue, the exhibition will reflect on experiences of exclusion, displacement, transience, imigration and xenophobia, exploring the complex sociopolitical forces that shape the performance of selfhood under such conditions.[\/one_half_last]<\/span><\/p>\n
\n\u201cWe are truly thrilled that Breitz and Modisakeng will be representing South Africa. Breitz\u2019s photographs and multi-channel video installations offer nuanced studies of the structure of identity under global capitalism, while Modisakeng employs a highly personal language to express ideas about his own identity and the body. This marks the first time that
\nModisakeng and Breitz will be shown alongside each other in the context of a significant exhibition.\u201d – Curator, Lucy MacGarry.
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\nConnect has appointed Beathur Mgoza Baker to manage communications, host local events and leverage social and popular media to enhance public engagement with The South African Pavilion. As a company, Connect is engaged in improving access and exposure to the creative industries and reflecting local realities in the content they produce. Connect is confident that our country\u2019s Pavilion at the 57th International Art Exhibition\u00a0will be the best articulation and reflection of contemporary thought and visual art produced in South Africa today.[\/one_half]<\/span><\/span><\/p>\n<\/a><\/a>[\/one_fourth_last]<\/p>\n
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